1965 - Naples

After the relative drear of 1964, 1965 makes a welcome antidote, full as it is of pep, drama and breast-shimmying brilliance. From the first bongo-driven moments of the opening Dutch entry, it is clear that something exciting is happening in Europe. Conny Vandenbos's severe and angular performance is stunning and miles away from the dull balladry we had to put up with last time around. Next up the amazing feist of the UK's Kathy Kirby: all bubbly joy, eyelashes and lipgloss, singing the profoundly gay anthem "I Belong". And then, just when you thought there was no more breath left in you to lose, Spain unleash their unrelenting, flamenco-tinged fiesta "¡Qué bueno, qué bueno!" (naturally it got nul points). Latin dance rhythms abound in a year consisting largely of women in lots of mascara doing the musical equivalent of throwing lamps at their husbands. Germany, who along with the Dutch had been the ones dabbling with this sound in previous contest, didn't disappoint, with a song dripping in bongos, brass and strings (also nul points). Even at calmer moments, women have the upper hand: Denmark's delicate and haunting ballad "For din skyld" being a case in point.

Ireland debuted with a man: a kind of Jimmy Young character doing a Buddy Holly number. It wasn't a bad number by any means, but in this field he wasn't even a runner.

An undoubted Eurovision classic, the Gainsbourg-penned "Poupée de cire, poupée de son" (relentless and pounding fun draped with sweeping strings) won the contest from the mouth of France Gall. Yet it is our view that her performance on the night was rather weak: the arrangement was quite limp and she was nowhere near hitting that first note. Going into 1965 knowing this song, we thoroughly expected to be giving it our 12pts at the end of the night. That in the end we put it sixth goes some way to demonstrating quite how strong the 1965 competition was.


For each year's songs we apply our points in the 12-10-8 style of the modern contest, irrespective of how the voting functioned at the time. In brackets is the position the song came on the night:

HERE ARE THE VOTINGS
OF THE AVIEW JURY:
12pts
(=15th)

ESP
Conchita Bautista
"¡Qué bueno, qué bueno!"
10pts
(11th)

NED
Conny Vandenbos
"'t Is genoeg"
8pts
(2nd)

GBR
Kathy Kirby
"I Belong"
7pts
(7th)

DEN
Birgit Brüel
"For din skyld"
6pts
(=15th)

GER
Ulla Wiesner
"Paradies, wo bist du?"
5pts
(1st)

LUX
France Gall
"Poupée de cire, poupée de son"
4pts
(12th)

YUG
Vice Vukov
"Čežnja"
3pts
(=13th)

NOR
Kirsti Sparboe
"Karusell"
2pts
(4th)

AUT
Udo Jürgens
"Sag ihr, ich lass sie grüßen"
1pt
(8th)

SUI
Yovanna
"Non, à jamais sans toi"

Europe had France third, Italy fifth, Ireland sixth, Monaco ninth, Sweden tenth, Portugal joint-13th, and Belgium and Finland joint-last.


⇦1964    /    HOME    /    1966 ⇨


Conchita Bautista

"¡Qué bueno, qué bueno!"
Our winner, Conchita Bautista.


Kathy Kirby

"I Belong!": Kathy Kirby.

Conny Vandenbos
"Tis enough!": Conny Vandenbos.


France Gall

Europe's winner, France Gall.

POLITICS
For the fourth year in a row (ever since we agreed with them over Luxembourg in 1961) our favourite song has been utterly disregarded by the juries of the day. Three of those four were the Spanish entry and the other was the German, so it doesn't take much imagination to see what sort of conspiracies might be at work here. That said, the Netherlands are also consistently scored poorly, so one must not underestimate the purer question of taste: as important as the political situation (both present and historical) might be, the simple truth is that the latin sound is not particularly to the taste of the juries.