| 56 | 57 | 58 | 59 | ||||||
| 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 |
| 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 |
| 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 |
| 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 |
| 00 | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 |
|
1pt |
1958 |
AV:
6th Eur: 8th |
| Raquel Rastenni - "Jeg rev et blad ud af min dagbog" | |||
|
1958 was the year of props, and
Denmark's was a book. The book is more noteworthy than the song, which
is typical of its period but without the Hielscher kink to help it
stand out. Something simple is sung in a rather simple way by a
straightlaced schoolmistress.
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|
2pts |
2010 | AV:
6th Eur: 4th |
| Chanée and N'evergreen - "In a Moment Like This" | |||
|
Denmark's 2010 song proved
strangely memorable, though that may be because déjà vu
is twined through its DNA. The verse has been shown a copy of "Every
Breath You Take", probably by the male vocalist who has turned up
dressed like Sting. He and his duet partner sing from different sides
of a translucent white screen, harking back to a similar gimmick in
Ukraine's 2008 performance. Later they find themselves on travellators,
having seen Greece last year. The anthemic chorus is also oddly
familiar, though quite what the tributary is we've yet to finger. It's
certainly amazing in a "my god, it's like the '90s never happened" kind
of way.
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|
3pts |
1983 | AV:
12th Eur: 17th |
| Gry Johansen - "Kloden drejer" | |||
|
Like last year's Mess, this is
whimsical pop with a hint of Smack the Pony, but unlike Mess it's not
really any good. It pre-empts a couple of Swedish costumes by a couple
of decades but, beyond a couple of lines of melody, it is ultimately
forgettable.
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|
4pts |
1960 | AV:
2nd Eur: 10th |
| Katy Bødtger - "Det var en yndig tid" | |||
|
Another year another prop.
Raiding the dressing up box this year was Katy Bødtger, playing
all coy with her bonnet, crinolines and parasol. Her song is a twee
little ditty with more than a hint of Christmas about it. This folksy
sleigh-bell sound would be a well-trod theme for the Scandinavian
nations over following years.
|
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|
5pts |
1966 | AV:
7th Eur: 26th |
| Ulla Pia - "Stop - mens legen er go'" | |||
|
In 1966, Denmark gave us a
dynamic swing romp and accompanied the instrumental section with a
dancing couple performing a hop. It did them no good: they finished
14th and ceased participation in the contest.
|
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|
6pts |
1963 | AV:
3rd Eur: 1st |
| Grethe & Jørgen Ingmann - "Dansevise" | |||
|
The winning song of 1963 (awash
in the BBC's finest swirly graphic effects) came from Danish duo Grethe
& Jørgen Ingmann, and there can be no doubting that it was a
rather special entry: a man on an accoustic-electric guitar twanging
out an at times eerie, at times jazzy, at times just plain dizzying 3/4
time number, while his wife sings beside him. These are truly the
jazzier shores of Eurovision. The piece was simply entitled "Dansevise"
(Dance Ballad).
|
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|
7pts |
1989 | AV:
2nd Eur: 3rd |
| Birthe Kjær - "Vi maler byen rød" | |||
|
The age of the Danish entry was
in itself endearing (actually, the Wikipedia suggests she was only 41,
in which case (assuming the Wikipedia to be right, which can be quite
an assumption) all of this is terribly insulting), but she had a pretty
good number to perform too, making it possible for us to ignore the
slightly nauseating nonsense in the middle with the tag-team
conductors. It's in the Bobbysocks school, but that doesn't do justice
to the thing: it's a competent swinging pop song, well delivered.
|
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|
8pts |
1981 | AV:
6th Eur: 11th |
| Tommy Seebach and Debbie Cameron - "Krøller eller ej" | |||
|
Tommy Seebach (more of whom
below) returned with his backing vocalist, Debbie Cameron, for another
piece of well-formed disco-pop complete with peow peow noises, a
monument of a key change, and an entertaining dance routine in the
instrumental.
|
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|
10pts |
1959 | AV:
1st Eur: 5th |
| Birthe Wilke - "Uh, jeg ville ønske jeg var dig" | |||
|
The 1959 Danish entry, sung by
the impish Birthe Wilke (something like a cross between Björk and
Gracie Fields, and one half of a controversial snog in the fog in 1957)
was our stand-out number of the night: a bouncy comedic little thing
with hints of "Who's Afraid of the Big Bad Wolf", performed with
knee-bends and chicken-wing gestures. Particularly enticing was the
little stroll she took during the instrumental, punctuated at every
turn by deft flicks of the train of her dress.
|
|||
|
12pts |
1979 | AV:
3rd Eur: 6th |
| Tommy Seebach - "Disco Tango" | |||
|
It's called "Disco Tango". What
more do I need to type? Curiously, the Finnish jury gave it nothing,
though the Greeks and Israelis both gave it 12pts. One might argue that
it does not quite live up to the potential dizzying wonder one might
perhaps hope to imagine from the title, but it none-the-less delivers
adequately on both disco and tango fronts. It is both disco and tango.
It is Disco Tango à la carte. We ranked it 8th in the Top 10
entries of all time.
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