| 56 | 57 | 58 | 59 | ||||||
| 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 |
| 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 |
| 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 |
| 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 |
| 00 | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 |
|
1pt |
1964 |
AV:
4th Eur: 1st |
| Gigliola Cinquetti - "Non ho l'età" | |||
|
Italy's first contest winner is
moody and undeniably beautiful, with some fetching bass-kicks and a
martial chorus. It was so overwhelmingly affecting on the night that
the ensuing audience applause demanded a second curtain-call for singer
Gigliola Cinquetti. The BBC even gave an unscheduled repeat of the
number the following afternoon. Such reactions were over the top, but
it's pleasant enough.
|
|||
|
2pts |
1990 | AV:
unplaced Eur: 1st |
| Toto Cutugno - "Insieme: 1992" | |||
|
Italy won the contest in 1990
with a shameless anthem to European economic unity that happened by
chance to also fit events in Germany. Toto Cutugno's "Insieme: 1992"
anticipates the signing of the Maastricht treaty, the formation of the
European Union and the creation of the single market, which is a silly
thing to sing a song about. It is the regular repetition of the English
lyric "Unite unite Europe!" coupled to a lightly emotional and vaguely
rousing pop-rock ballad that doubtless captured the judges' sentimental
hearts. Others of a more cynical bent (i.e. us) might find it a bit
disturbing, but there can be no doubting that this is a memorable and
somewhat effective song. The singer, however, is still wanted for
crimes against Eurovision presentation that he committed in 1991.
|
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|
3pts |
1962 | AV:
8th Eur: 9th |
| Claudio Villa - "Addio, addio" | |||
|
There's something of the
Shatner about Claudio Villa as he emotes with his hands to great
effect. He begs us to listen to him, but as emphatic as his performance
may be, all the gesturing comes over a little empty. A somewhat typical
Italian entry but not an especially good one.
|
|||
|
4pts |
1961 | AV:
2nd Eur: =5th |
| Betty Curtis - "Al di là" | |||
|
In 1961, Italy captured a
winning formula (though didn't win with it) in the form of the
sing-along-able 'la-la-la'-ing of the passionate and building "Al di
là". If anything, they didn't make enough of what could have
been a truly anthemic chorus. Instead the whole thing seems a little
bottom-heavy, saving too much of the best till last.
|
|||
|
5pts |
1977 | AV:
unplaced Eur: 13th |
| Mia Martini - "Libera" | |||
|
A somewhat squealy performance,
this, and far from the best of the class of '77, but it's repetitious
enough to get lodged in the brain, and wilder than most Italian entries.
|
|||
|
6pts |
1967 | AV:
6th Eur: 11th |
| Claudio Villa - "Non andare più lontano" | |||
|
For the second time, Italy
employed the tenor Claudio Villa. This ravishing entry builds
brilliantly, and in a much more balanced and impressive way than the
almost digital "Al di là".
|
|||
|
7pts |
1959 | AV:
5th Eur: =6th |
| Domenico Modugno - "Piove (Ciao, ciao bambina)" | |||
|
The first of three entries in
this chart for Domenico Modugno (all three of his Eurovision
performances, in fact). This is effectively a windy rehash of the
previous year's Italian entry (the next entry in this list), but with
some precipitous strings thrown in for good measure.
|
|||
|
8pts |
1958 | AV:
5th Eur: 18th |
| Domenico Modugno - "Nel blu dipinto di blu" | |||
|
1958 is notable mainly for the
presence of the internationally successful song "Volare", here
disguised under its original name: "Nel blu dipinto di blu", and being
conducted by Semprini.
|
|||
|
10pts |
1966 | AV:
5th Eur: =17th |
| Domenico Modugno - "Dio, come ti amo" | |||
|
Domenico Modugno returned to
represent Italy again in 1966, and delivered by far the best of his
three songs. This is an eerie, moody thing with steel guitars, a creepy
organ and an impassioned, rousing chorus, redolent of somebody in a
fugue state wandering in the Tower Ballroom and remembering a past
life. It is a hauntingly beautiful song and only misses out on the top
spot in this list by virtue of a tie-breaker. Europe placed it last.
Last. Italy's worst ever result. If ever there were an illustration of
Europe's wrong-headedness, and a good reason for Italy's subsequent
disinterest in the competition, it was that sorry fact.
|
|||
|
12pts |
1974 | AV:
1st Eur: 2nd |
| Gigliola Cinquetti - "Si" | |||
|
Ten years after her Eurovision
victory, Cinquetti returned with this weird and rather beautifully
haunted song (cf. "Dio, come ti amo"). A minor verse flits about the
place and develops into a lovely, swaying chorus with lush backing
vocals, which rattles against the rafters before entering a paranoid
and frenetic second verse and going on to a delicious torch-waving
finalé. Europe placed it second to a certain song by ABBA, which
has gained it some trivia status, as has the fact that Italian
television chose not to broadcast their own entry lest its affirmative
theme interfere with the outcome of an abortion referendum.
|
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