Switzerland






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The first winners of the Eurovision Song Contest, Switzerland would love to have been here every year, but they've not been deemed good enough to play. This state of affairs, whichever way you might choose to read it, makes for a difficult top 10, and they're not the most inspirational five songs you'll ever encounter. Indeed, the word "annoying" crops up a couple of times. That's probably Switzerland's most defining characteristic. They did manage to win a second contest in 1988; their entry that year was Céline Dion.

Here, then, are the votings of the AView jury:

1pt
2005
AV: unplaced
Eur:
8th
Vanilla Ninja - "Cool Vibes"
Cariad Lloyd, in randomly studded white leather, rocks out all the key changes.
2pts
2019
AV: 5th
Eur:
4th
Luca Hänni - "She Got Me"
This one is borrowing from Belgium Past, at least on a staging level. It's a bit like if Loïc Nottet took to doing Ricky Martin covers for Moldova. The vision mixer is having a field day, while the dancing is not nearly as dirty as one might hope.
3pts
1986 AV: 2nd
Eur:
2nd
Daniela Simons - "Pas pour moi"
In 1986 Switzerland gave us a Luxembourgian power-ballad with big hair and a piano (one of number of power-ballads that year). The hair may or may not have been on loan from Jennifer Rush but the song was definitely on loan from Luxembourg.

4pts
1970 AV: 2nd
Eur: 4th
Henri Dès - "Retour"
Switzerland invented the cockney chanson for 1970, with Henri Dès putting in some terribly annoying comic double-take glances. The song treads a fine line between irritating and fun. Europe let the side down by putting it 4th and breaking the pretty sea of 2nds we've achieved in this chart so far.

5pts
1980 AV: unplaced
Eur: 4th
Paola del Medico - "Cinéma"
One of several 'alternative media' -themed songs in 1980 (a trend that reached its zenith with "Opera" three years later). It's everything you'd expect from the genre ("Charlie Chaplin, Buster Keaton / Et le monde de Walt Disney"), and Paola's sitcom-wife-at-a-party delivery is beatifully bouncy. There's even a tap break.

6pts
1969 AV: 9th
Eur: 8th
Paola del Medico - "Bonjour, Bonjour"
Two in a row for Paola del Medico in this chart. Her first outing is definitely the better of the two: a cheeky little French number with a pinch of Siw for the Scandinavian contingent. Plus, for our Greek viewers, there's one of those bits where we slow it down and then steadily speed it up.

7pts
1965 AV: 10th
Eur: 8th
Yovanna - "Non, à jamais sans toi"
Yovanna, that mate you made at the staff Christmas party who you last saw standing on a table and calling Dan from accounts a swollen testicle for not joining in, is here at the Karaoke night and agrees to show you her Piaf for a pint of gin. It's going to be another good night.

8pts
1958
AV: 2nd
Eur:
2nd
Lys Assia - "Giorgio"
This was Lys Assia's fourth Eurovision entry (including two entries in the first contest, one of which was the winner). Were there no other singers in Switzerland in those days? Or did they just recognize a good thing when they saw it? This performance is somewhere between a yodel and the theme-tune to Bonanza. It was also the first polyglot entry in the contest's history.
10pts
1975 AV: 1st
Eur: 6th
Simone Drexel - "Mikado"
Our winner in 1975 is a song that utilizes the sort of repetition that is probably banned under a Geneva convention. A seemingly innocent and sweet introduction gives way to the bouncing "Bananas in Pyjamas" cabaret-style chorus (complete with tuned percussion) that will never ever leave you. Never. Ever. No matter how hard you try. Some might call that annoying. But it's a fine line between annoying and amazing, and this is firmly camped in the latter. It has a good chorus, it knows it, and it will continue to use it until the time is up. It is wise to do so.

12pts
1977 AV: 5th
Eur:
6th
Pepe Lienhard Band - "Swiss Lady"
I'm the Swiss Lady, I'm the real Swiss Lady... Another 1977 entry finds its way to the top end of a national chart. This one takes some acclimatizing to appreciate fully. A sensible first reaction is to recoil from an ensemble of white-suited hat-wearers, one of whom looks like Elton John, another (on an alpine horn) like Frank Zappa. A third communicates to us through the piccolo, and it is through him that we might first begin to appreciate their offering, seeing beyond the Chas & Dave -ness of it all and finding a rather charming happy little ditty dancing beneath.


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