| 56 | 57 | 58 | 59 | ||||||
| 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 |
| 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 |
| 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 |
| 90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 |
| 00 | 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 |
| 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 |
| 20 | 21 |
|
1pt |
2005 |
AV:
unplaced Eur: 8th |
| Vanilla Ninja - "Cool Vibes" | |||
| Cariad Lloyd, in randomly studded white leather, rocks out all the key changes. |
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|
2pts |
2019 |
AV:
5th Eur: 4th |
| Luca Hänni - "She Got Me" | |||
| This one is borrowing from Belgium Past, at least on a staging level. It's a bit like if Loïc Nottet took to doing Ricky Martin covers for Moldova. The vision mixer is having a field day, while the dancing is not nearly as dirty as one might hope. |
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|
3pts |
1986 | AV:
2nd Eur: 2nd |
| Daniela Simons - "Pas pour moi" | |||
|
In 1986 Switzerland gave us a
Luxembourgian power-ballad with big hair and a piano (one of number of
power-ballads that year). The hair may or may not have been on loan
from Jennifer Rush but the song was definitely on loan from Luxembourg.
|
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|
4pts |
1970 | AV:
2nd Eur: 4th |
| Henri Dès - "Retour" | |||
|
Switzerland invented the
cockney chanson for 1970, with Henri Dès putting in some
terribly annoying comic double-take glances. The song treads a fine
line between irritating and fun. Europe let the side down by putting it
4th and breaking the pretty sea of 2nds we've achieved in this chart so
far.
|
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|
5pts |
1980 | AV: unplaced
Eur: 4th |
| Paola del Medico - "Cinéma" | |||
|
One of several 'alternative media' -themed songs in 1980 (a trend that reached its zenith with "Opera" three years later). It's everything you'd expect from the genre ("Charlie Chaplin, Buster Keaton / Et le monde de Walt Disney"), and Paola's sitcom-wife-at-a-party delivery is beatifully bouncy. There's even a tap break.
|
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|
6pts |
1969 | AV:
9th Eur: 8th |
| Paola del Medico - "Bonjour, Bonjour" | |||
|
Two in a row for Paola del Medico in this chart. Her first outing is definitely the better of the two: a cheeky little French number with a pinch of Siw for the Scandinavian contingent. Plus, for our Greek viewers, there's one of those bits where we slow it down and then steadily speed it up.
|
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|
7pts |
1965 | AV:
10th Eur: 8th |
| Yovanna - "Non, à jamais sans toi" | |||
|
Yovanna, that mate you made at the staff Christmas party who you last saw standing on a table and calling Dan from accounts a swollen testicle for not joining in, is here at the Karaoke night and agrees to show you her Piaf for a pint of gin. It's going to be another good night.
|
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|
8pts |
1958 |
AV:
2nd Eur: 2nd |
| Lys Assia - "Giorgio" | |||
| This was Lys Assia's
fourth Eurovision entry (including two entries in the first contest,
one of which was the winner). Were there no other singers in
Switzerland in those days? Or did they just recognize a good thing when
they saw it? This performance is somewhere between a yodel and the
theme-tune to Bonanza. It was also the first polyglot entry in the
contest's history. |
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|
10pts |
1975 | AV:
1st Eur: 6th |
| Simone Drexel - "Mikado" | |||
|
Our winner in 1975 is a song
that utilizes the sort of repetition that is probably banned under a
Geneva convention. A seemingly innocent and sweet introduction gives
way to the bouncing "Bananas in Pyjamas" cabaret-style chorus (complete
with tuned percussion) that will never ever leave you. Never. Ever. No
matter how hard you try. Some might call that annoying. But it's a fine
line between annoying and amazing, and this is firmly camped in the
latter. It has a good chorus, it knows it, and it will continue to use
it until the time is up. It is wise to do so.
|
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|
12pts |
1977 | AV:
5th Eur: 6th |
| Pepe Lienhard Band - "Swiss Lady" | |||
| I'm
the Swiss Lady, I'm the real Swiss Lady... Another 1977 entry finds its
way to the top end of a national chart. This one takes some
acclimatizing to appreciate fully. A sensible first reaction is to
recoil from an ensemble of white-suited hat-wearers, one of whom looks
like Elton John, another (on an alpine horn) like Frank Zappa. A third
communicates to us through the piccolo, and it is through him that we
might first begin to appreciate their offering, seeing beyond the Chas
& Dave -ness of it all and finding a rather charming happy little
ditty dancing beneath. |
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