1989 - Lausanne

This year Eurovision returned to Switzerland for the first time since the very first contest back in 1956. The set was all neon vector-polygons and was faintly reminiscent of Elite.

The winning entry, Yugoslavia's "Rock Me", was a decent little thing, a suitably cheesy piece of pop ("c'est pop universelle"); very competent and good fun: by far a better sort of Eurovision song than last year's victor, in our minds at least. It doesn't do a great deal but then it doesn't have to. Portugal's entry, by virtue of having a pulse, scored pretty well, although the disco-like strings hinted at more than was ultimately on offer. In the end it was a fairly disposable performance, but quite entertaining despite some frightfully pompous keyboards.

It was Finland's turn to be Spain this year with a flamencish song that includes an Italian title lyric ("La dolce vita") and a Cuban clap. Typically Finnish therefore. And typically competent. In its proto-Ricky Martin-ness, it was also rather forward looking. Finland's entry was hardly in the flower of her youth, but she was a little chicklet in comparison to Denmark's Birthe Kjær. The age of the Danish entry was in itself endearing (actually, the Wikipedia suggests she was only 41, in which case (assuming the Wikipedia to be right, which can be quite an assumption) all of this is terribly insulting), but she had a pretty good number to perform too, making it possible for us to ignore the slightly nauseating nonsense in the middle with the tag-team conductors. Again it's in the Bobbysocks school, but again that doesn't do justice to the thing: it's a competent swinging pop song, well delivered.

Our winner, delivered with some fabulously energetic conduction from a man with a Frank Zappa moustache, was a particularly ethnic Turkey. Pan's "Bana bana" was about three parsecs ahead of the rest of this year's field. Two women and two men in counterpoint, it's bursting with middle eastern energy, utterly relentless and just plain wonderful. A very easy 12pts to award. And when one learns that "Bana bana" means "to me, to me" it gives it a whole new dimension. It came second-to-last.


For each year's songs we apply our points in the 12-10-8 style of the modern contest, irrespective of how the voting functioned at the time. In brackets is the position the song came on the night:

HERE ARE THE VOTINGS
OF THE AVIEW JURY:
12pts
(21st)

TUR
Pan
"Bana Bana"
10pts
(3rd)

DEN
Birthe Kjær
"Vi maler byen rød"
8pts
(16th)

POR
Da Vinci
"Conquistador"
7pts
(7th)

FIN
Anneli Saaristo
"La dolce vita"
6pts
(1st)

YUG
Riva
"Rock Me"
5pts
(13th)

SUI
Furbaz
"Viver senza tei"
4pts
(4th)

SWE
Tommy Nilsson
"En dag"
3pts
(18th)

IRL
Kiev Connolly & The Missing Passengers
"The Real Me"
2pts
(=9th)

GRE
Mariana Efstratiou
"To Dhiko Su Asteri"(Το δικό σου αστέρι)
1pt
(12th)

ISR
Gili and Galit
"Derekh Hamelekh" (דרך המלך)

Europe had (guess what...) the UK second, Austria fifth, Spain sixth, France eighth, Italy joint-ninth, Cyprus eleventh, Germany 14th, the Netherlands 15th, Norway 17th, Belgium 19th, Luxembourg 20th, and Iceland last.


Riva

Europe's winners, Yugoslavia's Riva.


Anneli Saaristo

Anneli Saaristo: typically Finnish.


Da Vinci

Portugal's Da Vinci.


Birthe Kjær

Denmark's Birthe Kjær.


Pan

Our winners, the Turkish entry: Pan.

Let's now take a snapshot of how the various nations did over the course of the 1980s. For the sake of comparison, the top ten places in the final official standings for each contest are assigned 12-10-8 style points. In the case of a tie for place, the nation that received the highest individual score from a single jury takes the place, and if no resolution is forthcoming from this method then the benefit goes to that nation which our own jury scored the higher. Any ties in the final tally are broken by average performance, and where that is the same they are broken by highest annual placing.

Alongside the '80s snapshot, we'll also take a look at the running total since 1957. Change since the '70s tally is given in brackets.

1980s PERFORMANCE

1957-1989 PERFORMANCE
AVIEW JURY

EUROPE
AVIEW JURY
EUROPE
67pts
▲11

ISR
1

GBR
64pts
=

151pts
=

GER
1

GBR
243pts
=
62pts
▲17

TUR
2

GER
61pts
▲3

148pts
=

ESP
2

FRA
176pts
=
48pts
▼1

POR
3

IRL
55pts
▲5

138pts
▲1

FIN
3

GER
136pts
▲5
48pts
▼1

FIN
4

SWE
46pts
▲8

110pts
▼1

NED
4

LUX
133pts
▼1
46pts
▲15

DEN
5

SUI
44pts
▲6

108pts
▲7

POR
5

IRL
125pts
▲5
42pts
▼2

BEL
6

ISR
37pts
=

103pts
▲5

BEL
6

SUI
124pts
=
32pts
=

ESP
7

LUX
35pts
=

102pts
▲7

DEN
7

ITA
114pts
▼3
29pts
▼3

SUI
8

DEN
33pts
▲10

91pts
▼2

LUX
8

SWE
106pts
▲3
26pts
▲2

IRL
9

YUG
31pts
▲11

90pts
▲10

ISR
9

NED
95pts
▼2
22pts
▲6

YUG
10

BEL
25pts
▲3

88pts
▼5

ITA
10

ESP
89pts
▼1
22pts
▲11

GBR
11

ITA
23pts
▼1

87pts
▼1

GBR
11

MON
89pts
▼6
17pts
▲2

GRE
12

NOR
21pts
▲7

87pts
▲1

SUI
12

BEL
83pts
=
17pts
▼12

GER
13

NED
20pts
▼4

81pts
▼5

AUT
13

DEN
80pts
▲1
15pts
▲7

FRA
14

FRA
19pts
▼12

80pts
▼5

SWE
14

ISR
77pts
▲1
15pts
▼6

AUT
15

AUT
16pts
▲1

76pts
▼8

MON
15
AUT
40pts
▼2
15pts
▼8

LUX
16

CYP
15pts
NEW

72pts
▲6

TUR
16

YUG
52pts
▲2
14pts
=

SWE
17

ESP
15pts
▼14

66pts
▼2

NOR
17

NOR
47pts
▼1
12pts
▼8

NED
18

FIN
8pts
▼4

59pts
▼1

YUG
18

FIN
30pts
▼1
12pts
▼6

NOR
19

GRE
6pts
▼4

59pts
▼3

FRA
19

GRE
18pts
=
8pts
NEW

CYP
20

POR
4pts
▼3

54pts
▼2

IRL
20

CYP
15pts
NEW
6pts
▼6

ITA
21

TUR
2pts
=

39pts
▼1

GRE
21

POR
13pts
▼1
4pts
NEW

ISL
22

MAR
0pts
NEW

12pts
=

MLT
22

TUR
2pts
▼1
1pt
NEW

MAR
23
ISL
0pts
NEW

8pts
NEW

CYP
23
MAR
0pts
NEW






4pts
NEW

ISL
24
MLT
0pts
▼2






1pt
NEW

MAR
25
ISL
0pts
NEW

For us, the two most dominant nations of the 1980s were Turkey and Israel, that is to say a nation only partly in Europe and a nation not in Europe at all; not that that is the point, competition wise, but it may go some way to explaining their success: they're different: they're exotic and interesting and that's what we like. Just as, before they came on the scene, Spain and Portugal were exotic and interesting. Not that "Khai" or "Shir Habatlanim" are especially exotic... that would be too easy an explanation anyway. Germany are our biggest faller, and Europe have dropped Spain almost as quickly as they picked them up. But at least we are now both agreed on the relative lack of merit of France having reached something of a compromise on the matter. Cyprus have done well in Europe, thanks in no small part to Greece who traded 12pts with them a couple of times during the decade, though in fairness they were also the highest new entry in our eyes too.

Looking at the overall leaderboard, the UK are now terrifyingly dominant in the official chart thanks to another two second places and a win during the course of the decade. There is no change in the order at the top of both tables, although in ours Spain have closed the gap somewhat. Finland (still woefully ill-regarded by Europe) have moved up to third in our list, with one more win being sufficient to bring them within a single point of the leaders. Our eastern favourites though have a lot of catching up to do if they are to ever get into contention at the top.

In our ears Portugal dominated the first three years of the '80s, taking the first three wins on offer. But they then spent the next four years outside the points; they do tend to go from one extreme to the other. Israel really rose to prominence in 1982, and it's a shame they weren't around in 1984 as their prospective entry, "Balalaika" by Ilanit, would almost certainly have got our 12pts thanks to the Jewish folk feel of the verse and to the clappy Balkan chorus. Indeed, with that, and with a more favourable wind in 1988, it could so easily have been five wins in a row for Israel, such was the combination of their handle on the contest and everybody else's loss of the plot. As it was, it was three in a row. In real life, nobody came close to three in a row (let alone five), and the most wins of the decade went to Ireland with two (both of which were Johnny Logan).

At the end of the '80s the contest looks rather well settled, with a fairly stable pool of just over twenty countries. Of the major competitors in the early years the only one we have lost is Monaco, and the only nations west of the Iron Curtain who are failing to compete are all small independent principalities and city states. To the east, the Mediterranean nations of Greece, Cyprus, Turkey and Israel have also become regular fixtures, while at the soviet fringes, Finland and Yugoslavia mark the easternmost limit of the European nations competing. For a song contest it's an ideal arrangement: the whole thing can be done and dusted within three hours. Everybody is (just about) happy and all the nations with the capability of and interest in competing are doing so. Even if the Soviet bloc were to come in from the cold, that's only eight more nations to worry about. With memorial holiday wastage and the odd bit of foot-stamping petulance thrown in things could still be kept at a reasonable level, and even if the worst came to the worst, 30 nations could just about still be manageable. Not that such a thing is even remotely likely. Why, half of Europe would have to disintegrate in a series of wars and revolutions, producing a score of new nations, to even come close to threatening the stability of the Eurovision Song Contest. And I think we can all rest easy on that regard...


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