2009 - Moscow

Here are our thoughts on each entry, as recorded on the night of the contest:

Dschinghis Khan Москвa, 2009
Your reviewers: Chrissie Hammond,  Evan Paris,  and  Ivan Methuselah.

Добрый вечер! Shall we begin?

Lithuania, 0pts
Sasha Son - Love

I   It's a man at a piano, wearing a hat.
E   He sings in English.
C   That chorus isn't dreadful in a jazz pop ballady sort of way.
I   The verse is awful though. It's sub "RnB" tripe.
E   In foreign by the end.
I   Oh. He's set his hand on fire.

Israel, 0pts
Noa and Mira Awad - There Must Be Another Way

I   It's a Jew and an Arab duetting.
C   Come on Israel.
E   Ooh. A goth.
C   Singing in foreign.
E   So they're both women escaped from a zip factory.
I   It's ok... but it's not really very Israel.
E   It's in a major key for a start.
C   A bit of English there too.
E   Bilingual is probably the latest trend I'm guessing.
I   Ooh... percussion.

France, 7pts
Patricia Kaas - Et s'il fallait le faire

I   This camembert I've got is rubbish.
E   Ooh. Another goth.
C   She's singing in French.
E   And in minor. So that's a bonus.
I   Moody, husky chanson.
E   Nothing very exciting but it's winning this contest so far.
I   We underscored France somewhat last year.
C   Yeah. It's the only song I can remember.
E   Yes.
C   Well, I thought that was nice. Ooh. She's... Would you call that dancing?

Sweden, 8pts
Malena Ernman - La voix

E   Now then... our old faithful, Sweden.
I   Kicking off rather operatically.
E   Ooh. And a trusty big beat.
C   Isn't that Ulrika Jonson?
I   She's certainly very Swedish.
E   Singing in English.
C   A very operatic chorus.
I   Rather like that funked up Pearl Fisher thing they used on the rallying. She's... rather valkyric.
E   Is she a castrato?
I   I think she's singing a little low for a castrato.
E   Well that's Hooked on Classics-tastic.

Croatia, 0pts
Igor Cukrov feat. Andrea - Lijepa Tena

E   A guitar intro for that Mediterranean flavour.
I   And an annoying waiter who means to seduce us...
C   And use us...
I   And steal our wallets.
E   In foreign.
I   Sounds like a Greek version of last year's song.
C   Here's a woman making some high-pitched warbles.
E   Only thing going for it is the diminished third.
C   "Tena"? As in lady?
E   Do you think any of the acts will refer to todays activities in Moscow?
C   Nah.

Portugal, 6pts
Flor-de-Lis - Todas as ruas do amor

I   Ah. Portugal.
C   Bless.
I   Reminds me, visually at least, of Spain '77. And I liked that a lot.
E   But that had a porn star in silver boots playing the banjo.
I   And a chorus.
C   This has a nice verse.
I   But no chorus yet.
C   Here's your chorus.
I   Bit flat.
E   Still, pleasingly folksy, in an '80s way.
C   In foreign.
I   Ok. That's ok.
E   Heh.
C   Bless.
E   Don't you just want to take them home and smoke all their pot?
I   They don't have pot. They have bibles.

Iceland, 0pts
Yohanna - Is It True?

I   Ok. Iceland.
E   One of our favourites.
C   English.
I   This is oddly familiar.
E   Very early '90s verse turns into the chorus from that song by Evanescence.
I   Not the novelty act I was hoping for.
C   No. Rather ordinary.
E   But done well enough. And a haunted key change, bumping it up a bit.
C   Builds rather well...
I   Very good build.
E   Yeah. It ended rather well.

Greece, 5pts
Sakis Rouvas - This Is Our Night

I   Ho ho. Greece!
C   Dancers.
E   Heh.
I   Heh. Very poncy.
E   I feel like I'm in a gay club.
I   I think you are, essentially.
E   Heh.
C   In English.
E   This is the gayest entry yet.
I   Choose your words well.
C   Heh.
E   A fairly ordinary club anthem.
I   There's the treadmill again, from the opening act.
E   This reminds me of London Boys.
I   Of course it does.
E   This is a good end. Bond stabs, a drop out and a key change.
I   Ooh, nice set activity.
C   Bang!

Armenia, 12pts
Inga and Anush - Jan Jan

I   Ooh!
C   When shall we three meet again?
E   Next year, I think.
I   Nice.
C   Oh.
I   I like it.
E   It's got a good beat, certainly.
I   Extras from a Paradjanov film sing a funky, slinky modern sort of number.
C   In English.
E   It has that ethnic sort of twist that Turkey really love.
I   Don't mention Turkey in the Armenian entry, Ev.
C   In foreign now.
I   This is great.
E   Heh. Now it's in major!
I   Heh.
C   Hay!
E   Key change.

Russia, 0pts
Anastasiya Prikhodko - Mamo

E   A fairly Mediterranean chorus.
C   Upbeat, certainly.
E   still quite Greek.
I   She has a distinctively hoary voice.
C   Sorry?
I   Hoary. Like hoar. Frosty.
C   Oh. I'm not going to mention the gimmick on the big screen in which she ages throughout the song.
E   This is in foreign. It's perfectly acceptable stuff.
I   Kicking off now... Rather histrionic of a sudden. Not sure about the message it seems to be sending about old age being something to cry about.
E   That's cos you're old.

Azerbaijan, 1pt
AySel and Arash - Always

E   Another club-Med number.
C   A male/female duet in English.
I   She's game for it.
E   Heh.
I   This is the most "Hai Hai Hai" of the night so far. But it's a bit tacky.
C   She's got a gold leg. Poor dear.
E   He's really playing that fake guitar thing.
C   She really ought not to stand over that fan. It show her fake leg up.

Bosnia & Herzegovina, 0pts
Regina - Bistra voda

E   A group of men in Regency dress sing a Scorpions-style march which will certainly build into an anthem.
I   Via an ethnic interlude.
C   It's very very like I expect Yugoslavia sounded in 1991.
I   Hence the war.
C   They strike an epic revolutionary pose beneath a red flag.
E   Was it red, or pink?
I   I'd like to think it was pink given todays antics.
E   Rather daft.

INTERVAL
I   Ah. A Russian cop. Come to stick it into some queer's ass, I expect. Ironically. Singing Kalinka.
E   Now do Dchinghis Khan and I'll give you a tenner.

Moldova, 2pts
Nelly Ciobanu - Hora din Moldova

E   Ethnic warbling.
C   And Ethnic dress.
E   Oh yes. Lovely.
I   This old chestnut again.
E   Quite nicely done.
I   There's something cheeky about that rhythm.
C   And those purple boots.
I   I feel I've heard this song about 1,792 times.
E   She sings in foreign.
C   Hey hey!
I   Ooh.. A nice shouty bit.
E   They seem to be parodying Irish dancing.
C   Good.
I   Hoi hei!

Malta, 0pts
Chiara - What If We

I   Ah, look who it is!
C   Malta is not Malta without a big woman singing a crap song in English.
E   It's very Celine Dion.
I   Capturing the zeitgeist of 1995.
C   This is poor.
E   Yeah. Makes the piano playing bloke in the hat look good.
I   Heh.
E   What an awful middle-8! And a key change too! Losers!
C   Hah!
I   She loves me.
E   Mr Norton just made a jokie-woo.

Estonia, 0pts
Urban Symphony - Rändajad

E   Quite a Finnish start, naturally enough.
I   She has a fiddle in her mitt.
E   She sings in foreign.
C   A string quartet.
E   With two cellos.
C   She's very cute.
I   Song's a bit flat though.
E   Rather Bat For Lashes.
I   About as engaging.
C   Has she used that fiddle yet?
E   Didn't see it if she did.
I   Never really got going.

Denmark, 0pts
Niels Brinck - Believe Again

C   This one is written by Ronan Keating.
I   Oh dear.
E   Heh! Graham's right. It is Stars in Their Eyes.
I   Denmark can be so embarrassing.
C   Yes.
E   So Denmark have gay icon Ronan Keating writing theirs and we have...
C   Andrew Lloyd Webber.
E   Not sure we're playing this right.
I   Is Ronan Keating really a gay icon?
E   Must be, surely.
C   Stephen Gately has him on his wall, I bet.
I   Do you?
E   This song is in English.
I   And it is very dull.

Germany, 4pts
Alex Swings Oscar Sings! - Miss Kiss Kiss Bang

I   Ho ho! Germany!
E   These chaps are homosexuals apparently.
I   Satanic lot. Hah!
E   A cabaret number.
I   A very Germanic cabaret number. They look good little Nazi girls.
E   In English.
C   We're not seeing very much of that exotic burlesque dancer in the background.
I   Unfortunate, cos she's stripping.
E   Here she is.
I   Andrew Sachs still loves her.
E   With a hedehideho!
I   Thirties Germany, eh... you can't beat it.
C   Well not without engaging in total war on two fronts.

Turkey, 3pts
Hadise - Düm Tek Tek

I   Ok. Nice start.
E   Very very Turkey.
C   Three singers in not a lot of clothes.
I   That male backing vocalist seems high in the mix.
E   This is very Turkey.
I   That make backing vocalist also looks a lot like the drug-adict informant in The Wire.
C   In English.
I   Dum Tek Tek. That's not English.
C   I want to dance! Ooh. So does he.

Albania, 0pts
Kejsi Tola - Carry Me in Your Dreams

E   Yet more ethnic beats.
I   And Leigh Bowery in a spangly turquoise full body-stocking.
E   Our barely-legal singer is in a pink tu-tu.
C   She looks like Barbie.
I   He looks like he's just walked in from a Star Wars green-screen shoot.
E   It's in English. The song is a fairly ordinary Eurobeat anthem with Turkish twists.
C   Human stairs...
I   Dressed as the Joker from Batman.

Norway, 0pts
Alexander Rybak - Fairytale

I   An irritating fiddler. I want to smack him already. Didn't take me three days, Graham.
E   In English.
I   Very... I was going to say very annoying. But now two backing singer ave entered and are going da-da-da in counterpoint in a really cute way. Still, other than that this is annoying. Mainly because of him. I like the backing vocalists though.
C   It's like a really annoying man doing a really annoying version of Puppet on a String without any of the good bits.

Ukraine, 10pts
Svetlana Loboda - Be My Valentine! (Anti-Crisis Girl)

I   Roman burlesque night in the Ukraine tonight.
E   Oh wow. This is good! This is genuinely good.
C   Heh. Nice dance moves too.
I   And very gay Roman burlesque dancers.
C   "You are sexy bum"?
I   Hah!
E   Hah!
C   The female drummer is being dragged on by some of the buff Romans.
E   It's sung in English, for what it matters.
I   That was great.

Romania, 0pts
Elena - The Balkan Girls

I   The Balkan Girls.
E   Heh.
I   Fairly ordinary in comparison to the previous act.
C   Usual Eurovision sort of thing.
I   Upbeat and ok.
E   The odd ethnic break.
C   In English.
I   Very ordinary.

United Kingdom, 0pts
Jade Ewen - It's My Time

I   A bit of Liverpool amongst the inevitable London landmarks that constitute the postcard woman's wig.
E   It's by Andrew Lloyd Webber, this, apparently.
C   Really? He's come down in the world then, hasn't he?
I   Couldn't happen to a better person.
E   Sounds like a '90s Olympic anthem to me.
I   And there's old smudge-face himself.
C   I don't think it is her time.
I   Nobody likes a big-head.
C   Times like this you sort of miss the orchestra.
E   Key change there. Not a dreadful song by any means. But very '90s... very Olympic anthem... All I'm getting is Robin Banks advertising Coke.
C   She's basically a Whitney Houston tribute act.
I   Oh, shut up, Graham.

Finland, 0pts
Waldo's People - Lose Control

I   Now then. Finland!
C   Come on, Finland!
E   Hah.
I   Oh my.
C   A rapper.
E   In English.
C   Another club anthem.
I   With lots of fire on stage.
E   A '90s club anthem.
C   Bless.
I   It's got a good beat but it's no Lapponia.

Spain, 0pts
Soraya Arnelas - La noche es para mí

I   Israel.
E   Bilingual.
I   Good beat.
C   Reminds me of Salomé shaking her thing in her porcelain outfit in 1969.
E   Fine, but we've had better tonight.
I   She's disappeared. Oh. No. There she is.

And at this point the International Space Station got involved and things became very silly indeed. Graham Norton did ok, though he kept going on about the UK entry far too much and infuriated Ivan by interviewing Andrew Lloyd Webber at the end of the interval act. Ivan tried desperately at that point to find an audio track without Norton, only to find one that was solely him with the auditorium sound removed. But despite these incidents he put on a decent commentary. So good for him.

We argued slightly over the first three, but not for any protracted period. The rest sort of fell into place after that. Of course, on the night, Norway won by a frighteningly huge margin, so much so that we began to question our own existence. But on hearing the encore we felt vindicated. I mean, don't you just want to punch him? At least nobody will moan about the Eastern Bloc Vote now, even though the best two songs were from that side of the continent. But you've got to still wonder about the stuff that fell at the semi-final stage... Anyway, get your sledges out, it's time to go småting.

[In hindsight we probably got our first two places the wrong way around.]


POLITICS
Telephone voting being generally considered to be a bit dodgy, national juries were reintroduced to provide 50% of the vote.
Georgia withdrew in protest against the war in South Ossetia. Inspired by its win in the junior contest (including a 12pt award from Russia) it revoked its withdrawal, only to have its chosen song excluded for containing political references. Georgia disputed this, citing pressure from Russia as the real reason for the exclusion (although the entrants themselves admitted a deliberate anti-Putin message), and so withdrew for a second time.
Spain got into some trouble (and elicited a wide range of conspiracy theories) for broadcasting their elected semi-final on a tape delay of over an hour.
A gay pride event, held in Moscow the day before the final, was somewhat violently broken up by police. The most overt reference to this during the contest appears to have been the Swedish spokesperson's wearing of a rainbow dog-tag; there wasn't exavtly a massive demonstration of solidarity.
In August 2009, Azerbaijan's Ministry of National Security reportedly questioned a selection of the 43 Azerbaijanis who had voted for the Armenian entry, accusing them of being "unpatriotic" and "a potential security threat".


For each year's songs we apply our points in the 12-10-8 style of the modern contest, irrespective of how the voting functioned at the time. In brackets is the position the song came on the night:

HERE ARE THE VOTINGS
OF THE AVIEW JURY:
12pts
(10th)

ARM
Inga and Anush
"Jan Jan" (Ջան Ջան)
10pts
(12th)

UKR
Svetlana Loboda
"Be My Valentine! (Anti-Crisis Girl)"
8pts
(21st)

SWE
Malena Ernman
"La voix"
7pts
(8th)

FRA
Patricia Kaas
"Et s'il fallait le faire"
6pts
(15th)

POR
Flor-de-Lis
"Todas as ruas do amor"
5pts
(7th)

GRE
Sakis Rouvas
"This Is Our Night"
4pts
(20th)

GER
Alex Swings Oscar Sings!
"Miss Kiss Kiss Bang"
3pts
(4th)

TUR
Hadise
"Düm Tek Tek"
2pts
(14th)

MDA
Nelly Ciobanu
"Hora din Moldova"
1pt
(3rd)

AZE
AySel and Arash
"Always"

Europe voted Norway as their winner, with Iceland second, the UK fifth, Estonia sixth, Bosnia & Herzegovina ninth, Russia eleventh, Denmark 13th, Israel 16th, Albania 17th, Croatia 18th, Romania 19th, Malta 22nd, Lithuania and Spain joint-23rd, and Finland last.


Let's now take a snapshot of how the various nations did over the course of the 2000s. For the sake of comparison, the top ten places in the final official standings for each contest are assigned 12-10-8 style points. In the case of a tie for place, the nation that received the highest individual score from a single jury takes the place, and if no resolution is forthcoming from this method then the benefit goes to that nation which our own jury scored the higher. Any ties in the final tally are broken by average performance, and where that is the same they are broken by highest annual placing.

Alongside the '00s snapshot, we'll also take a look at the running total since 1957. Change since the '90s tally is given in brackets.

2000s PERFORMANCE

1957-2009 PERFORMANCE
AVIEW JURY

EUROPE
AVIEW JURY
EUROPE
59pts
▲12

SWE
1

RUS
49pts
▲27

192pts
▲1

FIN
1

GBR
309pts
=
34pts
▲14

RUS
2

GRE
46pts
▲19

186pts
▼1

ESP
2

FRA
237pts
=
33pts
▲21

SLO
3

TUR
38pts
▲17

185pts
=

GER
3

IRL
199pts
=
32pts
▲30

BIH
4

UKR
36pts
NEW

162pts
=

NED
4

SWE
181pts
▲1
28pts
▲17

ISL
5

SRB
31pts
NEW

157pts
▲7

SWE
5

GER
170pts
▼1
25pts
▲2

FIN
6

EST
31pts
▲8

140pts
=

ISR
6

ITA
144pts
=
25pts
NEW

UKR
7

SWE
30pts
▼4

135pts
▼2

POR
7

SUI
141pts
=
25pts
▲5

FRA
8

NOR
27pts
▼3

133pts
▲2

GBR
8

LUX
133pts
=
23pts
NEW

LAT
9

LAT
26pts
NEW

128pts
▼1

AUT
9

ESP
129pts
=
23pts
▲1

NOR
10

MLT
25pts
▼3

127pts
▼3

DEN
10

ISR
120pts
▲1
21pts
▼1

GBR
11

DEN
23pts
▲5

125pts
▼2

BEL
11

DEN
115pts
▲1
20pts
▲6

GER
12

ROU
18pts
▲18

113pts
▲1

TUR
12

NED
115pts
▼2
20pts
▼1

TUR
13

FRA
16pts
▼9

113pts
▲3

NOR
13

NOR
110pts
▲2
19pts
▼10

NED
14

ARM
14pts
NEW

109pts
▼3

SUI
14

BEL
98pts
=
18pts
▲6

MKD
15

GBR
14pts
▼13

102pts
▲4

FRA
15
MON
89pts
▼2
16pts
▼13

ISR
16

ISL
13pts
▼4

98pts
▲2

GRE
16

AUT
75pts
=
14pts
▼12

AUT
17

BIH
13pts
▲9

91pts
▼3

LUX
17

GRE
72pts
▲4
14pts
▼16

GRE
18

FIN
12pts
▲16

90pts
▼3

ITA
18

MLT
59pts
=
12pts
NEW

ARM
19

GER
12pts
▼8

86pts
▼2

YUG
19

YUG
56pts
▼2
12pts
▲5

BEL
20

ESP
12pts
▼11

76pts
=

MON
20

RUS
51pts
▲11
12pts
NEW

MDA
21

AZE
11pts
NEW

62pts
▲1

CYP
21

TUR
48pts
▲6
12pts
▲1

ROU
22

CYP
11pts
▼5

58pts
▼1

IRL
22

EST
45pts
▲3
10pts
▼8

POR
23
BEL
10pts
▲1

49pts
▲2

RUS
23
FIN
42pts
▼4
10pts
▼7

DEN
24
ISR
9pts
▼18

44pts
=

ISL
24
CYP
38pts
▼4
9pts
▼5

SUI
25
BUL
6pts
NEW

43pts
▲5

SLO
25
UKR
36pts
NEW
9pts
▲5

MLT
26
MDA
6pts
NEW

38pts
▼3

CRO
26
ISL
34pts
▼2
9pts
▼20

CRO
27
IRL
6pts
▼26

32pts
▲9

BIH
27
SRB
31pts
NEW
7pts
NEW

AZE
28
BLR
5pts
NEW

30pts
=

MKD
28
CRO
28pts
▼6
7pts
▼23

ESP
29
AUT
5pts
▼2

25pts
NEW

UKR
29
LAT
26pts
NEW
6pts
▼29

CYP
30
LTU
5pts
▲1

23pts
NEW

LAT
30
POR
25pts
▼7
5pts
NEW

BUL
31
SLO
4pts
▼8

22pts
▼2

ROU
31
ROU
18pts
▲3
4pts
▼3

HUN
32
ALB
4pts
NEW

22pts
▼5

MLT
32
BIH
17pts
▼2
4pts
▼6

EST
33
POL
4pts
▼14

13pts
▼7

POL
33
ARM
14pts
NEW
3pts
NEW

BLR
34
CRO
3pts
▼24

12pts
NEW

ARM
34
POL
14pts
▼8
0pts
NEW

GEO
35
SUI
3pts
▼20

12pts
NEW

MDA
35
AZE
11pts
NEW
0pts
NEW

SRB
36
HUN
2pts
▼14

10pts
▼4

EST
36
HUN
9pts
▼8
0pts
NEW

ALB
37
GEO
0pts
NEW

8pts
▼6

SVK
37
SLO
9pts
▼8
0pts
▼19

POL
38
NED
0pts
▼25

7pts
NEW

AZE
38
BUL
6pts
NEW
0pts
▼7

LTU
39
POR
0pts
▼21

7pts
▼6

HUN
39
MDA
6pts
NEW
0pts
▼12

IRL
40
MKD
0pts
▼11

5pts
NEW

BUL
40
BLR
5pts
NEW






3pts
NEW

BLR
41
LTU
5pts
▼6






1pt
▼8

MAR
42
ALB
4pts
NEW






0pts
NEW

GEO
43
MAR
0pts
▼10






0pts
NEW

SRB
44
GEO
0pts
NEW






0pts
NEW

ALB
45
SVK
0pts
▼9






0pts
▼11

LTU
46
MKD
0pts
▼14

Before analysing the above it's worth remembering that our scoring during the 2000s was done live, during the interval performance, and with only the official recaps as an aide-mémoire. Also, the earlier the year the less consistent our points are likely to be with those awarded as part of our retrospective viewing project. We intend to revisit the 1998-2009 Eurovisions at some point in the future, to ensure a proper consistency in our scoring. Until then, these results stand, even though we realise in hindsight that some of them are very out indeed.

Revolution in Europe has led to a revolution in the decade chart: the top for both ourselves and Europe is a mass of risers and the odd new entry. The highest new entry for both of us is the Ukraine, and we're both impressed with Latvia and Armenia, although we disagree somewhat on the values of Serbia (Serbia & Montenegro is incorporated in the Serbian score Adding the Serbian score to the Yugoslavian does not alter our overall chart, but moves Yugoslavia up to 16th in the European all-time leaderboard). Russia has clearly had a very good decade, taking the top place in the European 2000s chart and second place in our own. Our favouring of Russia implies that there's more to their success than gas provision and military might.

Much has been said about the power of the Eastern European block vote. Let's examine this notion. We'll start by arranging the nations into four arbitrary regional groups: Scandinavia (including Iceland and Finland), the Mediterranean (that collection of Mediterranean nations joining since the 1970s, principally Greece, Turkey, Cyprus and Israel), Western Europe (pretty much everything from Portugal and Ireland across to Austria) and the East (everything else, from the former Yugoslavia, across the Eastern Bloc and into Asia). A statistical analysis of the points hauls from the last decade shows the following: We gave Western Europe an average of a little over 9 points per nation more than the actual juries of Europe, and we gave almost 17 points more than they did to the Scandinavian nations. By contrast they favoured the Mediterranean set by a little over 18 points per entry and the Eastern nations by almost 14 points. Assuming our tastes to be the true mark of quality, that does seem to imply an Eastern bias in Europe. But then that is almost inevitable when you consider that the two easterly groups comprise ten more nations than the westerly (25 to 15). The very fact that there are more eastern nations voting than there are western means that the east has a greater say in the outcome of the contest. It is indisputable that certain styles of music have particular territories of popularity; not merely on an ethnic level although that naturally plays its role. A shared culture implies shared tastes. Let us not forget the massive success of the Alpine block in the early years of the competition, for very much the same reason that Eastern Europe is having success at the moment: a tight mass of nations with a necessarily intertwined heritage.

But enough of that sort of thing. Let's cast our eyes to the overall leaderboards. There's been really very little change in the official standings, mainly because there's been very little scoring by the established nations. Austria in 16th place marks something of a breakwater where no traffic has crossed in the last ten years. Everything above has stayed above, and everything below likewise. A similar breakwater exists in our own chart in the form of 20th place Monaco. Our placings have been a bit more fluid though, with a switch at the top between Spain and Finland. Finland have taken a narrow lead in our opinions and are well within tickling distance of Spain and Germany. Indeed, if one includes our 1956 placings Germany have a five point lead over Finland. In the real world, the UK's fifteen second-places give them a comfortable, near-unassailable lead, over 70 points ahead of rivals France and with over 100 points more than Finland have in the lead of our own chart.

Applying the same regional groups as we did in our analysis of voting trends in the 2000s, we see that, overall, Europe have given an average of 86 points per nation more than we have to the countries of Western Europe. They've also favoured Eastern Europe to the amount of 18 points. We on the other hand have put 35 points per nation more than Europe in the pockets of the Mediterranean nations, and have given the Scandinavian nations 82 points per nation more than they received in real life. As far as individual nations are concerned, Finland has been grossly under-rated by Europe and the UK grossly over-rated. Estonia and Ireland have, on average, been even more over-rated than the UK, and Macedonia, likewise, as ill-treated as Finland. Denmark, Germany, Latvia, Norway, Poland, Romania, Russia and Turkey have come out roughly the same in both our analysis and the European voting.