2004 - Istanbul

And so it came to pass that the Eurovision Song Contest outgrew itself, and it became necessary to have a semi-final competition. With a free pass into the final are our hosts, Turkey. Their "don't want to win again" entry is typically a-typical: Fifteenth-Wave Middle-Eastern Grunge Ska. It's a genuinely appealing novelty, and all the better when the singer has his gob shut and the trombones are in full Klezmer swing.

Bosnia's entry is a particularly grimy piece of gay-club dance with a bleak sweaty intensity and an "I Feel Love" sequencer gurgling beneath the verse. The spit-roasting chorus is somewhat camper, with its thrusting actions to the lyrics "kiss me and turn me slow / up and down, here we go". Meanwhile, in the pole-dancing club up the road, there's some more filth in the form of our favourite of the night: sexy Sweden. Lena Philipsson, in her pink boots and mini-dress, gives a captivating performance astride her microphone stand. The song is entirely competent Swedish dance-pop (the minimum an ex-Sugababe might expect), with an airport of a keychange, but it's a little too chilled to be considered a true classic.

Spain is a Latin country, and it made this notion felt very thoroughly. We prefer Moorish Spain with its Flamenco dancing. This Cuban-tinged Ricky Martin stuff is getting a bit annoying now. But it's a well polished performance. Speaking of well polished performances... The Ukraine prove themselves to be quick learners. A nightmare opening with a quartet of mammoth-like didgeridoo-playing lepers separates to reveal, through a wall of flames, Xena, Warrior-Princess. Xena, it seems, is a secret Riverdance fan. She wildly "dicky-di-does" with a pinch of Turkish zest and a dash of Israeli gleefulness. One wonders at what point in the design of this performance it occurred to the Ukraine to have such a jaunty Irish song being delivered by Leela of the Sevateem and her cavegirl minions. The whole thing is a little bit too competent (compare it with Sweden in 2000), with more than a faint whiff of "interval act" about it. They've obviously put a lot of effort into it, and it paid off: Ukraine won the contest in only their second year.


For each year's songs we apply our points in the 12-10-8 style of the modern contest, irrespective of how the voting functioned at the time. In brackets is the position the song came on the night:

HERE ARE THE VOTINGS
OF THE AVIEW JURY:
12pts
(=5th)

SWE
Lena Philipsson
"It Hurts"
10pts
(4th)

TUR
Athena
"For Real"

8pts
(1st)

UKR
Ruslana
"Wild Dances"

7pts
(10th)

ESP
Ramón
"Para llenarme de ti"
6pts
(9th)

BIH
Deen
"In The Disco"

5pts
(=12th)

CRO
Ivan Mikulić
"You Are The Only One"

4pts
(7th)

ALB
Anjeza Shahini
"The Image of You"
3pts
(=12th)

MLT
Julie & Ludwig
"On Again... Off Again"
2pts
(2nd)

SCG
Željko Joksimović
"Lane moje" (Лане моје)
1pt
(18th)

ROU
Sanda
"I Admit"

Europe had Greece in third place, Cyprus joint-fifth, Germany eighth, Spain tenth, Russia eleventh, Macedonia 14th, France 15th, the United Kingdom 16th, Poland 17th, Iceland 19th, the Netherlands 20th, Austria 21st, Belgium and Ireland joint-22nd, and Norway 24th.

Ruslana

Ruslana: The Ukraine's answer to Dana.


Lena Philipsson

Lena Philipsson and her dancing partner.


Deen

Deen gets down and dirty In the Disco.


Athena

Turkey.


POLITICS
2004 saw the arrival of the Semi-Final competition. A problem with the telephone vote meant that not all votes were counted at the end of the Semi-Final broadcast. The final count did not however alter the result.

Unsuccessful semi-finalists still had a vote in the final, so bilingual repetition of scores was reduced to an opposing repetition to save time.

Turkey took an 'accidental' ad break during the Slovenian entry which consequently tallied no votes in their telepoll.

No map graphic was given for Cyprus, presumably to avoid any difficulty the Turkish hosts might have in representing its borders.